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BEFORE AND AFTER - DOCUMENTING THE ARCHITECTURE OF DISASTER
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72 S., 23,5x19 cm, Auflage: Print on Demand, ISBN/ISSN 9780992914691
Broschur, Fehldruck, Inhalt zweimal eingebunden, letzte Seite falsch beschnitten
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A nuclear facility in Iran before and after an explosion, a village in Pakistan before and after a drone attack, a Cambodian river valley before and after a flood. The before-and-after image has become the tool of choice for analysing events.
Satellite photography allows us to scrutinise the impact of war or climate change, from the safe distance of orbit. But one thing is rarely captured: the event itself. All we can read is its effect on a space, and that’s where the architectural expert is required, to fill the gap with a narrative. In this groundbreaking essay, Eyal and Ines Weizman explore the history of the before-and-after image, from its origins in 19th-century Paris to today’s satellite surveillance. State militaries monitor us and humanitarian organisations monitor them. But who can see in higher resolution? Who controls the size of the pixels? Interpreting these images is never straightforward.
Text von der Webseite
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Artist's Book Yearbook 2010-2011 - the journey of a book is the beginning of a cover
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260 S., 29,7x21 cm, ISBN/ISSN 978-1-906501020
Softcover, design by Tom Sowden
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Artist's Book Yearbook 2012-2013
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256 S., 29,7x21 cm, ISBN/ISSN 978-1-906501068
Softcover, design by Tom Sowden
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Mit einem Beitrag von Reinhard Grüner (S. 71 ff)
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Artist's Book Yearbook 2001-2002
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124 S., 29,7x21 cm, ISBN/ISSN 0953607674
Softcover
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Artist's Book Yearbook 2006-2007
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180 S., 29,7x21 cm, ISBN/ISSN 0954381092
Softcover, cover design Tom Sowden
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Artist's Book Yearbook 2016-2017 - Form
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5 S., 29,7x21 cm, keine weiteren Angaben vorhanden
geklammert, Farblaserkopiee des Formulars
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Formblatt für Einträge von Künstlerbüchern, Sammlungen und zur Buchbestellung
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Artist's Book Yearbook 2014-2015
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296 S., 29,6x20,8 cm, ISBN/ISSN 978-1-906501075
Softcover, design by Tom Sowden
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Over 600 artist’s book listings from 207 national and international artists. Reference listings of: collections, libraries, archives, bookshops, galleries, centres, design print & bind, publishers, dealers, presses, studios, competitions, fairs, festivals and exhibitions, journals, reference books, organisations, societies, websites, academic projects, touring programmes and courses.
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Artist's Book Yearbook 2016-2017
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268 S., 29,6x21 cm, ISBN/ISSN 978-1-906501105
Broschur, Softcover, design by Tom Sowden
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International listings of artists’ books activity includes: collections, courses, dealers, publishers, galleries, centres, bookshops, libraries, artist-led projects, organisations, societies, print studios, fairs, festivals and competitions.
In the Artists’ Books Listings section you can also find 537 examples of new artists’ books, with information about their work sent in by 182 artists in the following countries: Australia, Belgium, Canada, Chile, China, Denmark, France, Germany, India, Ireland, Italy, Japan, Norway, Poland, Russia, South Africa, Spain, Sweden, The Netherlands, the UK and the USA.
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[192] S., 23,5x23,5 cm, ISBN/ISSN 9780957261051
Fadengeheftet, Hardcover, Cover beidseitig geprägt und Banderole
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This volume is the lasting legacy of Elvgren’s slide collection. It helps us build a more complete picture of his artistic process and it offers a valuable insight into the development of glamour photography. However, the lasting impression of the collection is of a man who loved and appreciated the female form. Its real beauty and impact lies in the knowledge that one of the greatest masters of the illustrated pin-up took his inspiration from the very real flesh of womanly curves in all of their natural glory.
Text von der Website.
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Artists' Books - Creative Production and Marketing
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68 S., 29,8x21,2 cm, 2 Teile. ISBN/ISSN 9780954702571
Klemmbindung mit schwarzem Papierstreifen, Softcover, Exlibris von Jürgen Peter Wegner eingeklebt. Brief von Jürgen Wegner beigelegt
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A guide for the book artist – as the producer, publisher and distributor of their own artwork, to discuss some of the practical issues arising from this. A series of case studies explores artists’ experiences of making and marketing their books in the UK, France, Germany, EIRE, Spain, Denmark, Japan, Argentina, Australia and the USA. We selected a range of artists with 2 - 30+ years experience in artists’ books, zines and multiples and asked them to share their working practice, experience of book fairs, interaction with purchasers, discuss problems and offer advice. We also asked private and institutional collectors to tell us about the ways in which they would prefer to interact with artists selling their books and any issues arising from their own collecting.
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Artist's Book Yearbook 2020-2021
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236 S., 29,6x21 cm, ISBN/ISSN 978-1-906501181
Broschur, Softcover, design by Tom Sowden
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The ABYB is a biennial reference publication focusing on international activity in the field of book arts. It serves as a resource for artists, academics, students, collectors, librarians, dealers, publishers and researchers, in fact anyone interested in artists’ books!
The 2020-2021 issue will have essays, articles, and lots of useful information on: Artist’s Book Publishers & Presses; Bookshops for artists’ books; Artist’s Book Dealers; Artist’s Book Galleries & Centres; Collections, Libraries & Archives; Artist’s Book Fairs and Events; Book Arts Courses and Workshops; Design, Print & Bind; Print Studios; Journals and Magazines; New Reference Publications; Organisations, People, Projects and Societies. Artists list up to 3 of their recent book works.
Text von der Webseite
S. 49, Text und Fotos von Jürgen Wegner, A visit to Archive Artist Publications and its exhibition in the Haus der Kunst, München, Germany
S. 111, Collections, Libraries & Archives
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Without Copyrights - Piracy, Publishing, and the Public Domain
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384 S., 23,5x15,6 cm, ISBN/ISSN 9780199927876
Hardcover mit Schutzumschlag
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Provides a thorough historical survey of the impact of U.S. copyright law on transatlantic modernist authors. Documents the growth and development across time of the American public domain, as shaped by the historically protectionist and formalistic U.S. copyright law. Gives fresh insights drawn from unpublished materials-letters by Joyce, John Quinn, Ezra Pound, Sylvia Beach, John M. Price, and others -and makes extensive use of hitherto unknown legal archives.
This book tells the story of how the notoriously protectionist American copyright law impacted transatlantic modernism by encouraging the piracy of works published abroad. From its inception in 1790, U.S. copyright law withheld protection from foreign authors, creating an aggressive public domain that claimed works just as soon as they were published abroad. When Congress finally extended protection to foreign works, legal technicalities caused many authors to continue to lose their copyrights.
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